Caroline Prugh

Caroline PrughCaroline Prugh writes for the stage. New York productions include the musical Pinwheel! (Random Access Theatre; 2015 NYIT nomination for Outstanding Musical), and the plays: It’s Only Kickball, Stupid (kef productions; The Advocate’s NYC Lesbian Stage Highlights of 2014), No Provenance (written with Kate Holland & produced by Justin Cornell/FringeNYC 2014), Clear Cold Place (Vilde Chaya Collective & David Carpenter), and Til Death Do Us Part (with composer/lyricist Bobby Cronin), part of 2015-16 Overtures Series at The Gallery Players. As a songwriter, 54 Below/David Carpenter and New Georges presented her work. Regionally, Tricklock Theater Company (Albuquerque, NM) produced a workshop of the collage/dance/music theater piece co-created with director Simón Hanukai Decline & Fall; or A Guide to How the End Begins for Those Too Big to Fail. She is an associated artist of Kaimera Productions and resides in Brooklyn with her wife, Chef Paige van den Burg. MFA, Columbia.

Read about Night at the Big Chief Hotel on the MainStage (2016).

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